Préamplis Micro  Il y a 71 produits.

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  • MICROPHONE PREAMPLIFIER – Analog IN to Analog OUT Frequency Response@ 40dB gain ± 0.2dB (50Ω source) 15Hz-300kHz@ 40dB gain ± 3dB (50Ω source) 4.5Hz-1.0MHzTHD+N@ 20dB gain +20dBu out, 1kHz <.0003%@ 40dB gain +20dBu out, 1kHz <.0010%@ 60dB gain +20dBu out, 1kHz <.0080%Intermodulation Distortion@ 40dB gain +20dBu outSMPTE/DIN 1:1 (50Hz, 7kHz)...

  • Specifications (without A/D converter) Frequency Response @ 40dB gain 0.2dB (50? source) 18Hz-65kHz @ 40dB gain 3dB (50? source) 4.5Hz-350kHz THD+N @ 20dB gain +25dBu out, 1kHz <.0008% @ 40dB gain +25dBu out, 1kHz <.0009% @ 60dB gain +25dBu out,...

  • FREQUENCY RESPONSE @ 40dB gain 3dB 50Ohms source 4.5Hz-350KHz @ 40dB gain 0.2dB 50Ohms source 18Hz-65KHz THD+N @ 20dB gain +20dBu out, 1kHz <.0008% @ 40dB gain +20dBu out, 1kHz <.0009% @ 60dB gain +20dBu out, 1kHz <.0070%...

  • PREAMPLIFIER Frequency Response @ 40dB gain 0.2dB (50Ω source) 15Hz-300kHz @ 40dB gain 3dB (50Ω source) 4.5Hz-1.0MHz THD+N @ 19.6dB gain +20dBu out, 1kHz <.0007% @ 40.5dB gain +20dBu out, 1kHz <.0010% @ 60.0dB gain +20dBu out, 1kHz...

  • Me-1NV Features Multiple In/Out connections: XLR balanced; ¼" -10dbV output for 'no-latency' DAW monitoring; high-Z input on front panel (disconnects mic input): TRS ¼" insert patch point for compressor or equalizer ahead of the output amplifier Adjustable gain stages: input in 5db steps to 60db; output from -25 to +10db; maximum overall gain 70db;...

  • MP-2NV Features Multiple In/Out connections: XLR balanced; ¼" -10dbV output for 'no-latency' DAW monitoring; high-Z input on front panel (disconnects mic input): TRS ¼” insert patch point for compressor or equalizer ahead of the output amplifierAdjustable gain stages: input in 5db steps to 60db; output from -25 to +10db; maximum overall gain 70db; 2...

  • Power Consumption, Quiescent: 53.76 Watts Dimensions: Size: 19" X 1.75" (1U) X 12.5" Deep Size (Boxed for Shipping): 23.25" X 6.5" X 16" Actual Weight: 9.1 lbs Shipping Weight: 13 lbs (Specifications subject to change without notice)

  • Inputs: Balanced XLR Mic jack (rear) Un-Balanced 1/4" Instrument jack (front) Outputs: Balanced XLR and 1/4" parallel jacks Power Consumption, Quiescent: .66 Watts Microphone Input: Max Gain: +55 dB (no pad), +36 dB (w/pad) Min Gain: +9 dB...

  • FOUR Microphones A/B/C/D matrix to FOUR external Microphone preamplifiers 1/2/3/4 LOCK each selection combination for comparison Front-panel 1/4" Direct Input with Variable Phase circuit and Ground Lift switch THRU: mirrored output of the Direct Input Low/High range select for Variable Phase all-pass filter Remote Fader jack for manual gain riding...

  • Vacuum Tubes: 4 x 12AX7WA dual triodes Balanced Transformer Coupled XLR Microphone Input Impedance: 1250 Ohms Unbalanced 1/4" Direct Input Impedance: 10 Meg Ohm Maximum Input Mic input (Low Gain Setting): -5 dBu or 435mV RMS @ 0.5% THD Maximum Input Mic input (High Gain Setting): -25 dBu or 44mV RMS @ 0.5% THD Maximum Input Direct input (Low Gain...

  • TUBE CHANNEL (Left Channel) Tube Channel Vacuum Tubes: 1 x 12AT7EH + 1 x NOS 6414 or 6414WGain Range: +10 dB to +80 dB (20 to 70dB in 5 dB steps)Mic Input Impedance: 600, 2400, 10,000 OhmsInstrument Input Impedance: 300K,1Meg, 3 Meg OhmsFrequency Response: (-1 dB) 10 Hz to 30 kHz; (-3dB) 5 Hz to 45 kHzTHD & NOISE (1 kHz @ 20 dB gain): 0.035% typical...

  • Minimum Gain 8.5 dB Maximum Gain (continuously variable) 60 dB (70 dB in Ribbon Mode) Frequency Response (+0 / -3 dB) sub 3 Hz to beyond 300 kHz Noise (60 dB Gain, 10 Hz - 30 kHz, Inputs common) -130 dB EIN Total Harmonic Distortion + Noise (35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out) < .001%, Typ. < .0005% (< 5...

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